An Ifugao Tale
The old man, Amtalaw, whose fame was still on the lips of
every villager, sat on his hagabi[1] bench, feeling very lonely. For weeks now,
he had looked stolidly at the skulls decorating the beams of his house,
mementos of the old days when fighting was the law of the mountains [2]. He
looked in the distance at the rice terraces and at the shoulders of ridges
where other villages perched. Beyond the mountains, Amtalaw could glimpse
communities that he had raided in his youth and villages where he had courted
girls in their ulog[3] dormitories. Every spot for kilometers around was
familiar to the old man--every waterfall, rivulet and pond, thicket and
mountain path.
Without a word, Amtalaw sat, brooding. He had lost his two
sons in battle and now there was no one to inherit the rice paddies, the house
of hard wood, and his past glories. His wife, Gumigid, ever faithful and
industrious, was too old to give him another child. The granary was full, the
chickens were multiplying, the ducks filled every water hold and their eggs
were scattered all over the yard. But there was no son to talk to, no one to listen
to his stories of heroism and to pass on all that wealth.
Sensing Awiyao's sadness, and having listened to all his
tales of girls in dormitories in other villages, his wife, Gumigid said,
"Maybe you have an offspring with someone in some village that you do not
remember."
Sometimes, Amtalaw would recont to his wife his lineage.
"I am probably in the line of descent of the great god Kabunyian. One of
our ancestors somewhere down the line, I am sure, must have found himself in a
similar predicament. And it is not unlikely that he could have created for
himself a successor out of wood. Or clay. And was able to breathe life into
it."
The next morning, after a breakfast of glutinous rice and
duck, Amtalaw decided to go up to the mountains. He did not heed his wife's
precautions to take his spear and shield. He merely belted on his bolo, put
betelnut-chew in his hip bag, several chisels, a hammer, and a small knife.
Once up in the mountain, he walked around the thicket,
scrutinizing the big trees. Amtalaw spotted a very tall tree. He climbed up its
thick trunk and, after cutting many small branches, he worked his way up to the
top. At that dizzying height, he began to carve the end of the highest branch
into the figure of the little boy he so desired.
He worked intently, without stopping. After several hours,
the face and limbs emerged, and soon enough its other features. He continued
carving. Soon, the headdress and the little loincloth emerged. It was a proper
Ifugao boy! Amtalaw looked lovingly at his handiwork. Then, he lopped the
figure swiftly off the branch. With the wooden boy tucked under his arm,
Amtalaw slid down the tree.
When Amtalaw touched earth, he placed the wooden figure in
front of him. He looked up at the sky and prayed to the gods. Then, he inhaled
deeply. He put his mouth to the nostrils of the little wooden boy. And, as he
prayed, he breathed half his remaining life into the figure.
Reeling from the effort, Amtalaw fell back. Soon, the wooden
form on the grass began to show signs of life. First, the two eyebrows
twitched. Then, the eyelids began to quiver and the two eyes flew open. The
wooden boy's shoulders moved, he bent his elbow, he flexed his fingers. Then,
the wooden boy sprang up on his own two feet. Soon the new son was frisking
about on the grass and on the rocks and all around Amtalaw. The old man wept
with joy.
The son of wood was an active boy. "Let us go down to
the village," said Amtalaw, carrying the little boy. After only a short
distance, the old man felt the boy getting heavier and heavier.
"Let me walk," said the child.
Holding on to his father's hand, the little boy walked. His
pudgy legs could hardly reach the stepping stones. As they walked on, however,
Amtalaw was amazed to notice that the boy's strides were getting longer and
longer. Soon, the wooden boy's steps were matching Amtalaw's own. The boy was
growing up before his eyes! Going up and down the rice terraces, father and son
cut through one village after another, so much in a hurry was Amtalaw to reach
his home.
"I told you, you must have a son somewhere," said
his wife Gumigid over supper of boiled chicken. "What shall we call
him?"
"Aliguyon," replied the beaming father.
The following day, Amtalaw was up early, eager to teach his
son Aliguyon the mountain boys' favorite sport--spinning a top. He showed the
wooden boy how to carve his own top, which would shine and spin the longest. He
also taught how Aliguyon could twist twine into string for the top.
The following day, father and son were wrestling, the old
man showing the young one the art of balance and proper use of strength. At the
end of the day the father said, "Aliguyon, I know that you are now
stronger than I, why didn't you throw me to the ground?"
"No one would do that to a father one loves," said
Aliguyon.
Everyday, Amtalaw passed on a new experience to the son of
wood. The old man taught him the sport of arm bending, the thigh slapping[4]
game, spear throwing, and many others. Aliguyon mastered all of them.
In less than a year, Aliguyon had also become interested in
visiting the other villages. His mother made him a fitting loincloth, a smart
headpiece, and a hipbag[5]. Aliguyon was now fully a young man and Amtalaw
proudly watched him disappear into the distance.
In the neighboring villages, Aliguyon engaged the young men
in the traditional games of skill. No one could beat him. The young women cast
longing glances at him, coveting Aliguyon for a mate and offering him
betel-chew[6]. In the evening, he would go to an ulog dormitory and charm the
girls into letting him in for the night.
It came to pass that Aliguyon fell in love with a young girl
named Bugan[7]. Aliguyon took her necklace from her basket and put it in hid
hipbag. Bugan did ot object. It meant that she was accepting his proposal.
Aliguyon told the girl Bugan that they would soon have a wedding. During the
day, Aliguyon helped Bugan's family in the rice terraces and the family looked
upon Aliguyon as a good acquisition.
One day, while working in the field, Aliguyon felt himself
gasping for breath. Quickly, he explained to his betrothed that he had to go
home at once. Besides, he would have to inform his parents that he was going to
marry. "I will be back soon," he said.
On the way home, he felt weaker and weaker, and Aliguyon
knew the reason. The half-of-his-life that Amtalaw had bequeathed him was
coming to an end. Near a stream, Aliguyon rested wearily on the stone. He
washed his feet in the running water and an eel surfaced. The eel asked
Aliguyon what was wrong, and the young man told the eel how his half-a-life was
almost gone, that he was dying. "Why don't you just ask Amtalaw for the
remainder of his life? Surely he would not mind sacrificing it for you,"
said the eel.
The young man would not hear of it. He loved his father, who
had given him everything, even the life in his body. It would be cruel to ask
the old man for anything more.
Aliguyon continued walking. After awhile, he had to sit
again on a log to regain his strength. A frog leaped in front of him and
advised the young man, "Amtalaw has led a full life. He should give you
what is left of it. Besides, he needs a successor."
Aliguyon shook his head. His pulse was growing fainted and
fainter, but Aliguyon continued on his journey. He walked with a heavy heart,
for now he knew that he would turn into wood once more. What would happen to
poor Bugan?
Back home, Amtalaw and his wife Gumigid never wondered at
the wooden son's length absence. They thought he was still trying the ulog of
the different villages just like his father used to do in his younger days.
Weakly, Aliguyon made his way to the place where he often
sat with Bugan and loitered there for a while. Gasping painfully, he climbed
the selfsame mountain where his father had carved him from a tree. He found the
top of the tree lopped off. Aliguyon removed his belt and bolo and let them
drop to the ground. With supreme effort, he climbed the great tree from whence
he had come. With his last gasp, he rejoined the cut branch and became a part
of the tree once more.
When many days passed and Aliguyon had not returned to her,
his sweetheart Bugan became worried. She asked permission from her parents to
look for him. She walked the path that Aliguyon had taken and rested on the
very stone and the very log that Aliguyon had sat on. The eel and the frog told
Bugan not to waste time, to hurry on, for something tragic could have overtaken
her sweetheart. And they gave her directions to the mountains.
Bugan reached the mountain. It was a steep climb. She
struggled up the slope and soon found herself in the woods. She saw many
colorful birds flitting about in the forest. Below the giant tree, Bugan found
Aliguyon's belt and bolo. Her heart was pounding. "He must have climbed
the tree," thought Bugan. The tree was so high that just looking at it
made her feel dizzy. She knew she would never be able to climb it.
Bugan called on all the colorful birds in the forest for
help. They alighted at her feet. Bugan begged them for feathers to cover
herself. The birds wanted to know why she wanted to cover her beauty and
plucked off their colorful feathers for the girl, and Bugan was transformed
into the most beautiful bird of all[8].
Immediately, Bugan flew to the top of the tallest tree where
Aliguyon was. She immediately recognized Aliguyon, although he had become a
part of the tree, because his hipbag bulged. Her necklace in the bag had not
yet completely turned to wood. The bird Bugan alighted on top of the tree,
clinging firmly to what would have been Aliguyon's head. And she never moved
from her perch.
The villagers gathering firewood in the forest soon noticed
the beautiful bird perched motionless on the top of the tree. Everyone wanted
to own it. One after another, they climbed the tree in order to lure the bird.
But it stayed fast. It could not be detached from its position.
For days, people gathered around the tree pointing out the
bird. A rich man even made a canyao, sacrificing a chicken on the mountain. But
when he climbed the tree, the beautiful bird could not be pried loose.
Determined to own the bird, the rich man returned with a pig and offered it,
again without success. Challenged, he continued sacrificing until he had but a
few animals left. And still, the beautiful bird would not be coaxed to come
down.
The beautiful colored bird on the tree was soon known far
and wide. One day, even Amtalaw and his wife went up to the mountain to view
the famous bird. The old man immediately saw that it was the same tree from
which he had carved his son. The old man, who by now had become very worried
about Aliguyon's disappearance, thought his son might be up on the tree top.
But he knew that he was now too old to climb the tree.
When Amtalaw and his wife Gumigid reached home, the found a
stranger waiting for them. It was a young man who resembled Aliguyon so much
that people had to take a second look. The young man said that he was passing
through the village. He was from Banawe. He had stopped by only on a chance
that he would meet his father whom he had never seen. How often his mother had
described Amtalaw to him and how exactly the old man fitted the description!
The young man, who looked like Aliguyon, gave Amtalaw the name of his mother
and Amtalaw recognized the boy as his son.
"What is your name?" asked the old man, and the
young man's startling answer was:
"Aliguyon."
Gumigid, his wife, could hardly take her eyes off the new
Aliguyon, so much like their own son of wood was he.
Amtalaw had a scheme. If the second Aliguyon's appearance
could fool them, then surely, others too would take him for the first Aliguyon.
And so, the following morning, they brought the young man to the mountains to
view the colored bird. As usual, the people form many neighboring villages were
milling below the tree, wondering about the beautiful bird that refused to be
brought down. Amtalaw asked the second Aliguyon if he would like to climb the
tree and try his luck.
The young man consented. With great ease, he climbed the
tall tree, and soon he was on the highest branch. For the first time, the bird
turned its head at the sight of the second Aliguyon. The young man stretched
out a hand, and the bird, dazzled by what she mistook to be her sweetheart,
willingly perched on his shoulder. The young man saw the wooden carving of a
boy at the end of the branch, and thinking it to be such beautiful work, cut it
off at the feet. The second Aliguyon, with the son of wood under his arm and
the bird clinging tamely to his shoulder, slowly descended.
The watching crowd applauded. As soon as he reached the
ground, the young man put the bird on his outstretched arm and begn to dance
with it. The people made a space for him, beating in time with their clapping.
The bird fully believed that he was her sweetheart and transformed into Bugan,
the woman. Bugan looked at the young man intently. "You are not my
sweetheart, Aliguyon," she told him, although she continued dancing.
"My name is Aliguyon," said the young man,
"but I am not your sweetheart."
The people who were watching them dance were urging Bugan to
take the new Aliguyon. "Would you rather have a sweetheart made of wood
than one of flesh and blood?" they asked. But Bugan said it was the man of
wood that she loved.
Amtalaw, by the time, had picked up the wooden figure that
was his creation. Gathering all his strength, he exhaled his remaining life
into the nostrils of his beloved son. Immediately, the first Aliguyon sprang up
to life and tearfully embraced his father. The faithful Bugan recognized him
immediately and joined them.
A wedding feast was held immediately. During the
festivities, the old man was gasping heavily, he could hardly breathe. He
thanked the second Aliguyon who had made the reunion possible. The young man
was glad to have met his father at last. But he had to be on his way to the
next village. He left with everybody's blessings.
Amtalaw died on the third day of the wedding feast of
Aliguyon, the son of wood whom he loved so much.
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