Spanish literature displays a noble strain and a passionate
and eager spirit. The very language, thoughts, and feelings show the romantic
impulses, and the heroic chapters in its history reveal the stuff of which it
is made. The land of Cervantes is a land of humor and cheerfulness. Chivalry
was pre-eminently a Spanish product, and chivalrous traits still prevail in the
Spanish character. Unquestioned obedience and faith in matters of religion are
almost universal. The intellectual genius of Spain is slighter than that of
either Italy or France. Frequently she has gained much from her contact with
other people: from the Moslems, especially during the period from the twelfth
to the fourteenth century, when scientific and philosophic studies among the
Moors were at their height and when the Greek and oriental classics were being
explored by them; from the Italians particularly during Renaissance period; and
from the French at frequent stages in Spain’s intellectual career. Yet it must
not be supposed that Spain lacks originality or that her total achievement in
literature is inconsiderable. She has produced in
The Cid a true national epic.
Few poets of the first rank may be named among the Spaniards; but poetry,
especially romantic poetry, is of the very essence of Spanish life and
temperament, and the Spanish ballad is world-famous. Among dramatists Spain can
point to Lope de Vega and Calderon. The romances of chivalry and the picaresque
novel (dealing with rogues and vagabonds) are distinct Spanish types. Don
Quixote, Cervante’s masterpiece, is a world classic of the first order, the
delight of each succeeding generation. And among European writers of recent times
Spaniards hold a distinguished place.
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